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Artist
Statement
I received a BA
in Art from Indiana University where I studied
jewelry design and silversmithing under Alma
Eikerman and Helen Shirk. More recently I took classes at th
Glassell
School of Art in Houston,Texas under
Sandy Zilker and Jan Harrell. My work is
made by using the techniques of piercing, sawing,
construction, forming, enameling and etching.
I was lucky to be
raised by parents that encouraged my creativity,
love of nature and inquisitiveness. All my siblings
are creative and we are all inspired by nature. My sister
Fran
Hart is a visionary artist who lives in
Honaunau
on the big island of Hawaii. Both our creative works have a
spiritual basis. My
brother Roger Berrier creates beauty through plants as part of
his work at the Norfolk, Virginia cemeteries. My
son, Douglas Petranoff has just moved to El Paso, Texas and is
working at the El Paso Zoo.
I'm fascinated by archeology and nature and have studied the
ancient cultures of the world and my art has these
things as it's inspiration. Native
American petroglyphs and pictographs caught my interest when I
participated in a field trip in 1986 to sites in
Utah. Since then, I have continued to research,
record and photograph other rock art sites in Utah
as well as Arizona, California, Colorado, Montana,
New Mexico, Nevada, Oregon, Texas, Washington and Wyoming. I have also
visited sites in Sonora, Chihuahua, Coahuila, and Baja in
Mexico.
Recently I have begun to
visit sites in other countries besides the United States and
Mexico. In July of 2000 I spent a month in Australia. In
September of 2001 I visited the Paleolithic Caves in Spain. In
August of 2005 I headed back to Australia - I love that
country!! In May of 2006 I moved from Houston, Texas to Las
Cruces, New Mexico. March of 2007 found me
southwestern Egypt for a two week trip into the Sahara desert.
It was incredible. In August of 2009 I traveled once
again to Australia. This time to record rock art with
David Lee in Wardaman Country although I played a very small
part in the recording effort. I had an amazing
experience and it has lead me to some exciting work. This year
I am planning a trip to visit the rock
art of Scandinavia in late summer. I'll also be heading to
Utah in October for the Utah Rock Art Research Association Symposium and later on to
Colorado to do some survey work in Pickett Wire Canyon.
"My work is inspired by actual images made by
ancient peoples. Looking for petroglyphs and pictographs is an
adventure. I'm inspired by these magical images. I feel like
the ancient artists are trying to communicate with us. I try
to make each piece a spiritual creation as well as an artistic
one."
I am a member of the
American Rock Art
Research Association, the
Colorado Rock Art
Association, the
Southern Nevada Rock Art Research Association,
the Nevada Rock Art Foundation, the
Archaeological Society of New Mexico
and the Utah Rock Art Research Association.
I am also the secretary of the Dona Ana Archeology
Society and am serving as the archivists
El Paso Archeology Society. I have also helped archeologists
record sites and I've used my artistic abilities to help some
with illustrations used in presentations at different
symposiums. Most recently I have become a member of
New Mexico's Rock Art Recording Council.
Besides archaeological
organizations I am a member of Artforms in Las Cruces, New
Mexico and belong to the New Mexico Chapter of the Society of
Layerist in Multi-media. As part of my outreach for the arts I
am a member and secretary of the not-for-profit Tombaugh
Gallery on South Solano in the Unitarian Universalist Church.
I did my first
recording in 1986 and have continued working on projects ever
since. I have done recording in Arizona, New Mexico, Texas,
Utah, Nevada and Australia. This fall I'll be working on
a surveying project in Colorado. Now that I
am a member of the New Mexico Rock Art Recording Council I
have started working on my own projects in New Mexico. My most
recent field work was in the Guadalupes. I'm currently
working on a paper for the next issue of the American Indian
Rock Art Journal and one for the 2011 Jornada-Mogollon
Conference.
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